Flyer/Handbill: Erroll Garner Jazz Piano Concert Handbill Village Gate New York City 1965

An original jazz piano concert handbill for Errol Garner performing at the famous Village Gate venue in New York City opening on Thursday, May 20th, probably 1965.

In very good - excellent condition for its age with some light general wear/handling -- please see pictures for condition and ask questions in advance if helpful.

Wikipedia: "Erroll Louis Garner (June 15, 1923 – January 2, 1977; some sources say 1921) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd.

Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African-American family on June 15, 1923, or (some sources say) 1921, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she had demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.

He played locally in the shadow of his older pianist brother Linton Garner and moved to New York City in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member. Garner is credited with having a superb memory of music. After attending a concert by the Russian classical pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall.

Short in stature (5 ft 2 in), Garner performed sitting on multiple telephone directories. He was also known for his vocalizations while playing, which can be heard on many of his recordings. He helped to bridge the gap for jazz musicians between nightclubs and the concert hall.

Garner made many tours both at home and abroad, and produced a large volume of recorded work. He was, reportedly, The Tonight Show host Johnny Carson's favorite jazz musician, appearing on Carson's show many times over the years.

Erroll Garner died from cardiac arrest related to emphysema on January 2, 1977. He is buried in Pittsburgh's Homewood Cemetery.

In 2016, Downtown Music Publishing entered an exclusive worldwide administration agreement with Octave Music Publishing Corp. The deal covers all of Garner’s works including “Misty”, as well as Garner’s extensive archive of master recordings, many of which are currently unreleased."

"The Village Gate was a nightclub at the corner of Thompson and Bleecker Streets in Greenwich Village, New York. Art D'Lugoff opened the club in 1958, on the ground floor and basement of 160 Bleecker Street. The large 1896 Chicago School structure by architect Ernest Flagg was known at the time as Mills House No. 1 and served as a flophouse for transient men. In its heyday, the Village Gate also included an upper-story performance space, known as the Top of the Gate.

Throughout its 38 years, the Village Gate featured such musicians as John Coltrane, Coleman Hawkins, Duke Ellington, Jimi Hendrix, Dizzy Gillespie, Bill Evans, Dave Brubeck, Charles Mingus, Dexter Gordon, Art Blakey, Woody Shaw, Miles Davis, Vasant Rai, Nina Simone, Herbie Mann, Woody Allen, Patti Smith, Velvet Underground, Edgard Varèse, and Aretha Franklin, who made her first New York appearance there. The show Jacques Brel is Alive and Well and Living in Paris, debuted at the Village Gate in 1968.

In the 1960s, radio DJ and Latin music advocate Symphony Sid hosted a regular Monday night concert at the Village Gate - "Monday Nights at the Gate" - featuring the best of New York's thriving Latin music scene. As salsa music began to grow in popularity, the Alegre record label began to host quite a few events at the Village Gate - many of which resulted in live recordings. Some of the live recordings from the Village Gate were the Alegre All-Star (and later Tico All-Star) Descarga sessions. The "Salsa Meets Jazz" series at the Village Gate was a seminal part of the history of New York Latin music. In 1977, WRVR jazz and Latin music DJ and jazz musician/conga drummer Roger Dawson created and hosted a weekly event that brought top Latin bands together with a guest jazz soloist. Dawson named the event "Salsa Meets Jazz". Sonny Stitt with Eddie Palmieri, Dexter Gordon with Machito, Dizzy Gillespie with Tito Puente, James Moody, Wynton Marsalis, Bobby Hutcherson, David "Fathead" Newman, Slide Hampton, and Pharoah Sanders, to name a few, all jumped in to "jam" with the best salsa bands of the time.

The club hosted a benefit for Timothy Leary in May 1970 that featured performances from such counterculture luminaries as Jimi Hendrix and Allen Ginsberg. From 1971 to 1973, a musical comedy revue called National Lampoon's Lemmings had a successful run at the Gate. It starred future comic notables John Belushi, Chevy Chase, Garry Goodrow, and Christopher Guest, and lampooned the 1969 Woodstock Festival, which had taken place upstate two years earlier, calling it "Woodchuck" and equating the entire hippie generation with lemmings bent on self-destruction.

Let My People Come opened at the Village Gate Theater in 1974. The show broke all box office records there and played for 1,167 performances. Its transfer to the Morosco Theatre on Broadway was not as successful, though, and closed after 106 performances. It was nominated for a Grammy in 1974 and has appeared all over the world.

From 1989 to 1991, the improvisational comedy troupe Noo Yawk Tawk performed at the upstairs theater. The group was conceived and directed by Richmond Shepard, a world-renowned mime, actor, comedian, and teacher. All of the performances for Noo Yawk Tawk were entirely improvised. Characters may have been repeated, but never the sketches or the dialogue. The audience always set the scene and conditions for each improvisation, so every performance was different. The cast included Stan Taffel, Marc Kudisch, Debra Wilson, Eric Douglas, Garry Goodrow, Miguel Sierra, Ken Dashow, Nola Roeper, Bonnie Comley, and Richmond Shepard. Taffel would go on to win three Emmy Awards for his performances in The News In Revue on PBS. Kudisch earned a Tony nomination in 2002.

The Village Gate name was again used in 1996 at 240 West 52d Street. Art D'Lugoff, co-producer of the show A Brief History of White Music was looking to rent the space in a site formerly occupied by the Lone Star Road House. That incarnation and the show lasted until 1997. In 1998, the 52nd Street location was taken by a brief reincarnation of Max's Kansas City.

The Village Gate closed its Greenwich Village location in February, 1994. The ground floor is currently occupied by CVS/Pharmacy. The off-Broadway capacity Village Theater, which hosted performances of the musically themed Love, Janis, Dream a Little Dream, Jacques Brel is Alive and Well and Living in Paris, and Escape From Bellevue, occupied the sublevel performance space until fall 2007. In spring 2008, the space was reopened as a multiuse performance venue and gallery bar called (Le) Poisson Rouge."