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Reel-to-reel: SAMMY DAVIS, COUNT BASIE -OUR SHINING HOUR 7 1/2 IPS 4-TRACK Reel To Reel Tape

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62.00 USD
0.01 USD
31 Oct 2021
24 Oct 2021
27 bids
onI3u3ydDr-W
1372
588
United States
Very Good
Count Basie
Reel-to-reel
VERVE
Jazz
1960s
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7-1/2 IPS 4-TRACK REEL TAPE
VERVE VSTC 324
SAMMY DAVIS & COUNT BASIE
OUR SHINING HOUR

Usually I can take Sammy Davis or leave him but but he rocks on this record. Count Basie and his big band apparently made him up his game.

I enjoyed testing this tape man, it was a reel gas! Those cats can swing man!

The sound quality and the stereo presentation are both top notch. The audio is 3-D, clear as a bell, clean as a whistle, all meat, no gristle.

Both sides of this 4-track reel tape played perfectly from start to finish.

The tape is flat, shiny and supple.

The pack on the reel is flat.

A new long Scotch leader was spliced onto the start end.

Please see the photos to check the excellent condition of the box and reel.


Our Shining Hour is a 1965 studio album by Sammy Davis Jr., accompanied by the Count Basie Orchestra, arranged by Quincy Jones.
In 1973, MGM Records MGM Records released Sammy Davis Jr. and Count Basie with an identical track listing created using alternate takes from the Our Shining Hour recording sessions in 1964 with newly recorded vocals.

  1. “My Shining Hour” (Harold Arlen, Johnny Mercer) – 2:10
  2. “Teach Me Tonight” (Sammy Cahn, Gene de Paul) – 3:05
  3. "Work Song” (Nat Andrew, Oscar Brown Jr.) – 2:12
  4. "Why Try to Change Me Now?” (Cy Coleman, Joseph Allan McCarthy) – 3:24
  5. "Blues for Mr. Charlie" (Bobby Sharp) – 3:43
  6. “April in Paris” (Vernon Duke, Yip Harburg) – 2:45
  7. "New York City Blues” (Quincy Jones, Peggy Lee) – 2:51
  8. “You’re Nobody Till Somebody Loves You” (James Cavanaugh, Russ Morgan, Larry Stock) – 2:58
  9. “She’s a Woman (W-O-M-A-N)” (Jerry Leiber and Mike Stoller) – 2:21
  10. “The Girl from Ipanema” (Vincius de Moraes, Antonio Carlos Jobim, Norman Gimbel) – 4:07
  11. "Keepin' Out of Mischief Now” (Andy Razaf, Fats Waller) – 2:51
  12. "Bill Basie Won't You Please Come Home” (Count Basie, Sammy Davis Jr., Jones) – 2:38


  • Sammy Davis Jr. - vocals, tap

The Count Basie Orchestra
  • Count Basie - piano, bandleader
  • Quincy Jones - arranger, conductor
  • George Rhodes - arranger
  • Al Aarons - trumpet Sonny Cohn
  • Sonny Cohn
  • Wallace Davenport
  • Joe Newman
  • Snooky Young
  • Henderson Chambers - trombone
  • Henry Coker
  • Bill Hughes
  • Grover Mitchell
  • Mitchell Marshal Royal - clarinet, alto saxophone
  • Eric Dixon - tenor saxophone
  • Sal Nistico
  • Charles Fowlkes - baritone saxophone
  • Frank Wess - saxophone
  • Freddie Green - guitar
  • Ray Brown - double bass
  • Sonny Payn - drums
  • Emil Richards - percussion


Samuel George Davis Jr. (December 8, 1925 – May 16, 1990) was an American singer, dancer, actor, vaudevillian, and comedian.
At age three, Davis began his career in vaudeville with his father Sammy Davis Sr. and the Will Mastin Trio, which toured nationally, and his film career began in 1933. After military service, Davis returned to the trio and became an overnight sensation following a nightclub performance at Ciro's (in West Hollywood) after the 1951 Academy Awards. With the trio, he became a recording artist. In 1954, at the age of 29, he lost his left eye in a car accident. Several years later, he converted to Judaism, finding commonalities between the oppression experienced by African-American and Jewish communities.
After a starring role on Broadway in Mr. Wonderful with Chita Rivera (1956), he returned to the stage in 1964 in a musical adaptation of Clifford Odet’s Golden Boy opposite Paula Wayne. Davis was nominated for a Tony Award for his performance and the show was said to have featured the first interracial kiss on Broadway. In 1960, he appeared in the Rat Pack film Oceans 11. In 1966, he had his own TV variety show, titled The Sammy Davis Jr. Show. While Davis's career slowed in the late 1960s, his biggest hit, “The Candy Man", reached the top of the Billboard Hot 100 in June 1972, and he became a star in Las Vegas, earning him the nickname "Mister Show Business".
Davis’s popularity helped break the race barrier of the segregated entertainment industry. He did however have a complex relationship with the black community and drew criticism after publicly supporting President Richard Nixon in 1972. One day on a golf course with Jack Benny, he was asked what his handicap was. "Handicap?" he asked. "Talk about handicap. I'm a one-eyed Negro who's Jewish." This was to become a signature comment, recounted in his autobiography and in many articles.
After reuniting with Frank Sinatra and Dean Martin in 1987, Davis toured with them and Liza Minelli internationally, before his death in 1990. He died in debt to the Internal Revenue Service, and his estate was the subject of legal battles after the death of his wife. Davis was awarded the Spingarn Medal by the NAACP and was nominated for a Golden Globe Award and an Emmy Award for his television performances. He was a recipient of the Kennedy Center Honors in 1987, and in 2001, he was posthumously awarded the Grammy Lifetime Achievement Award.


William James "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets” Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.