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Cassette: Celebrity (Cassette) by NSync N Sync Factory Sealed Justin Timberlake

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10.00 USD
10.00 USD
07 May 2018
17 Jun 2017
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United States
Brand New
N Sync
Cassette
Rock
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Celebrity (Cassette) by NSync N Sync Factory Sealed Justin Timberlake

Category: Music > Cassettes

Genre: Rock

Release Date: 07/24/2001

Style: Teen Pop

Record Label: Jive (USA)

Artist: *NSYNC

UPC: 012414175847

Format: Cassette

Release Year: 2,001

Album Features

UPC: 012414175847

Artist: *NSYNC

Format: Cassette

Release Year: 2001

Record Label: Jive (USA)

Genre: Rock & Pop, Teen Pop


Track Listing

1. Pop

2. Celebrity

3. The Game Is Over

4. Girlfriend

5. The Two of Us

6. Gone

7. Tell Me...Baby Tell Me

8. Up Against the Wall

9. See Right Through You

10. Selfish

11. Just Don't Tell Me That

12. Something Like You

13. Do Your Thing


Details

Playing Time: 50 min.

Contributing Artists: Stevie Wonder, Pharrell Williams, Brian McKnight, Carlos Vasquez

Distributor: BMG (distributor)

Recording Type: Studio

Recording Mode: Stereo

SPAR Code: n/a


Album Notes

This is an Enhanced CD, which contains both regular audio tracks and mulitmedia computer files.N Sync: Justin Timberlake, Joey Fatone, JC Chasez, Chris Kirkpatrick, Lance Bass.Additional personnel includes: J Moss (rap vocals); Rodney Jenkins, Wade J. Robson (various instruments); Michael Thompson (acoustic guitar); Michael Landau (electric guitar); Stevie Wonder (harmonica); Michael A. Lang (piano); Brian McKnight (keyboards); Randy Jackson (bass); Anthony Nance (programming); Pharrell Williams, Carlos Vasquez, The Hampton String Quartet.Producers include: The Neptunes, Brian McKnight, Rodney Jerkins, Riprock 'N' Alex G, BT.Engineers include: Kevin Guarnieri, Joel Kazmi, Stuart Brawley.CELEBRITY was nominated for the 2002 Grammy Award for Best Pop Vocal Album. "Gone" was nominated for the 2002 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal."Girlfriend" was nominated for the 2003 Grammy Awards for Best Pop Performance By A Duo Or Group With Vocal.Personnel: J Moss (rap vocals); WaWa (chant); Esbj”rn ™hrwall, Kenny Blank (guitar); Michael Hart Thompson (acoustic guitar); Michael Landau, Richard Fortus (electric guitar); Hampton String Quartet (strings); Stevie Wonder (harmonica); Michael Lang (piano); Brian McKnight (keyboards); BT, Charles Pollard (programming); Anthony Nance (drum programming).Audio Mixers: John O'Mahoney; Michael Tucker ; Chris Carroll ; Bradley Daymond; Alexander Greggs; J Moss; Scott Kieklak; Jean-Marie Horvat; Kristian Lundin; Peter Mokran; Stuart Brawley; BT; Tony Flores; Rich Tapper; Rami; Jacob Schulze.Recording information: Backroom Studios, Glendale, CA; Battery Studios, New York, NY; Carpal Tunnel, Los Angeles, CA; Clinton Recording Studios, New York, NY; Larrabee North, Universal City, CA; Location Studios, Stockholm, Sweden; Metalworks Recording Studio, Toronto, Canada; Parc Studios, Orlando, FL; Record Plant, Los Angeles, CA; Right Track Studio, New York, NY; Sound Chamber Recorders, North Hollywood, CA; Westlake Audio, Los Angeles, CA; WIRE Studios, Orlando, FL.Photographer: Mark Seliger.Arrangers: Wade Robson; Justin Timberlake; BT.N Sync's fourth album further mines the territory first explored on the band's previous NO STRINGS ATTACHED--namely, fame, its price and consequences. This continues a boy band tradition of questioning, if not actually biting, the hand that feeds, stretching from the Beatles through the Monkees, David Cassidy, the Bay City Rollers, and more recent contenders such as New Kids On The Block. This type of manuever usually precedes a catastrophic drop in sales and /or acrimonious split.Regardless of whether CELEBRITY is a portent of disaster, it's an effective amalgamation of thoughtful, sometimes acerbic pop in the band's bubbly, R&B lite tradition ("Celebrity," "The Game Is Over"--the latter using arcade game noises to good percussive effect) interspersed with the ageless boy-girl dramas, such as "Girlfriend" and "Just Don't Tell Me That," that N Sync does so well. The low-key, string-colored ballad "Gone" is particularly effective, using a similar treated guitar effect to Madonna's "Don't Tell Me," while the down and dirty, self-descriptive "Up Against the Wall" is the band's insurance against any accusations of hyper-cuteness.