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Cassette: Celebrity (Cassette) by NSync N Sync Factory Sealed Justin Timberlake
Category: Music > Cassettes
Genre: Rock
Release Date: 07/24/2001
Style: Teen Pop
Record Label: Jive (USA)
Artist: *NSYNC
UPC: 012414175847
Format: Cassette
Release Year: 2,001
Album Features
UPC: 012414175847
Artist: *NSYNC
Format: Cassette
Release Year: 2001
Record Label: Jive (USA)
Genre: Rock & Pop, Teen Pop
Track Listing
1. Pop
2. Celebrity
3. The Game Is Over
4. Girlfriend
5. The Two of Us
6. Gone
7. Tell Me...Baby Tell Me
8. Up Against the Wall
9. See Right Through You
10. Selfish
11. Just Don't Tell Me That
12. Something Like You
13. Do Your Thing
Details
Playing Time: 50 min.
Contributing Artists: Stevie Wonder, Pharrell Williams, Brian McKnight, Carlos Vasquez
Distributor: BMG (distributor)
Recording Type: Studio
Recording Mode: Stereo
SPAR Code: n/a
Album Notes
This is an Enhanced CD, which contains both regular audio tracks and mulitmedia computer files.N Sync: Justin Timberlake, Joey Fatone, JC Chasez, Chris Kirkpatrick, Lance Bass.Additional personnel includes: J Moss (rap vocals); Rodney Jenkins, Wade J. Robson (various instruments); Michael Thompson (acoustic guitar); Michael Landau (electric guitar); Stevie Wonder (harmonica); Michael A. Lang (piano); Brian McKnight (keyboards); Randy Jackson (bass); Anthony Nance (programming); Pharrell Williams, Carlos Vasquez, The Hampton String Quartet.Producers include: The Neptunes, Brian McKnight, Rodney Jerkins, Riprock 'N' Alex G, BT.Engineers include: Kevin Guarnieri, Joel Kazmi, Stuart Brawley.CELEBRITY was nominated for the 2002 Grammy Award for Best Pop Vocal Album. "Gone" was nominated for the 2002 Grammy Award for Best Pop Performance By A Duo Or Group With Vocal."Girlfriend" was nominated for the 2003 Grammy Awards for Best Pop Performance By A Duo Or Group With Vocal.Personnel: J Moss (rap vocals); WaWa (chant); Esbjrn hrwall, Kenny Blank (guitar); Michael Hart Thompson (acoustic guitar); Michael Landau, Richard Fortus (electric guitar); Hampton String Quartet (strings); Stevie Wonder (harmonica); Michael Lang (piano); Brian McKnight (keyboards); BT, Charles Pollard (programming); Anthony Nance (drum programming).Audio Mixers: John O'Mahoney; Michael Tucker ; Chris Carroll ; Bradley Daymond; Alexander Greggs; J Moss; Scott Kieklak; Jean-Marie Horvat; Kristian Lundin; Peter Mokran; Stuart Brawley; BT; Tony Flores; Rich Tapper; Rami; Jacob Schulze.Recording information: Backroom Studios, Glendale, CA; Battery Studios, New York, NY; Carpal Tunnel, Los Angeles, CA; Clinton Recording Studios, New York, NY; Larrabee North, Universal City, CA; Location Studios, Stockholm, Sweden; Metalworks Recording Studio, Toronto, Canada; Parc Studios, Orlando, FL; Record Plant, Los Angeles, CA; Right Track Studio, New York, NY; Sound Chamber Recorders, North Hollywood, CA; Westlake Audio, Los Angeles, CA; WIRE Studios, Orlando, FL.Photographer: Mark Seliger.Arrangers: Wade Robson; Justin Timberlake; BT.N Sync's fourth album further mines the territory first explored on the band's previous NO STRINGS ATTACHED--namely, fame, its price and consequences. This continues a boy band tradition of questioning, if not actually biting, the hand that feeds, stretching from the Beatles through the Monkees, David Cassidy, the Bay City Rollers, and more recent contenders such as New Kids On The Block. This type of manuever usually precedes a catastrophic drop in sales and /or acrimonious split.Regardless of whether CELEBRITY is a portent of disaster, it's an effective amalgamation of thoughtful, sometimes acerbic pop in the band's bubbly, R&B lite tradition ("Celebrity," "The Game Is Over"--the latter using arcade game noises to good percussive effect) interspersed with the ageless boy-girl dramas, such as "Girlfriend" and "Just Don't Tell Me That," that N Sync does so well. The low-key, string-colored ballad "Gone" is particularly effective, using a similar treated guitar effect to Madonna's "Don't Tell Me," while the down and dirty, self-descriptive "Up Against the Wall" is the band's insurance against any accusations of hyper-cuteness.