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Vinyl: ZIMMER, Hans - Interstellar (Soundtrack) (Expanded Edition) - GATEFOLD 4XLP
Hans ZIMMER
Interstellar (Soundtrack) (Expanded Edition)
Watertower Music US
Rel: 23 Nov 20
Soundtracks
| Side 1 - Track 1. Dreaming Of The Crash |
| Side 1 - Track 2. Cornfield Chase |
| Side 1 - Track 3. Dust |
| Side 1 - Track 4. Day One |
| Side 1 - Track 5. Stay |
| Side 2 - Track 1. Message From Home |
| Side 2 - Track 2. The Wormhole |
| Side 2 - Track 3. Mountains |
| Side 2 - Track 4. Afraid Of Time |
| Side 2 - Track 5. A Place Among The Stars |
| Side 2 - Track 6. Running Out |
| Side 2 - Track 7. I'm Going Home |
| Side 3 - Track 1. Coward |
| Side 3 - Track 2. Detach |
| Side 3 - Track 3. STAY |
| Side 4 - Track 1. Where We're Going |
| Side 4 - Track 2. First Step |
| Side 4 - Track 3. Flying Drone |
| Side 4 - Track 4. Atmospheric Entry |
| Side 4 - Track 5. No Need To Come Back |
| Side 5 - Track 1. Imperfect Lock |
| Side 5 - Track 2. No Time For Caution |
| Side 5 - Track 3. What Happens Now? |
| Side 5 - Track 4. Who's They? |
| Side 6 - Track 1. Murph |
| Side 6 - Track 2. Organ Variation |
| Side 7 - Track 1. Tick-Tock |
| Side 7 - Track 2. Day One (demo) |
| Side 7 - Track 3. Day One Dark |
| Side 7 - Track 4. Do Not Go Gentle Into That Good Night |
It's never easy to separate movie score from movie. Some are more difficult than others, though, for example a collection of atmospheric but subtle accidentals. Or when the soundtrack itself plays such an integral part in the movie, the very hint of it is likely to have you slipping into catatonic dreams of memorable scenes and your emotional response at the time of watching. It will surprise nobody to learn we rank Interstellar in the latter category, given it's the work of legendary composer Hans Zimmer.
Today many major cinema and Netflix movies are going in more experimental directions for musical accompaniment, this masterpiece from 2014 perhaps predates the trend and definitely belongs in comparatively traditional camps, which is no bad thing. From appropriately-titled piano minimalism (Atmospheric Entry), to full blown orchestral drama ('No Time For Caution'), this is less contemporary, more timeless classical from a true maestro.