Find out the value of a Vinyl Record, CD, or Cassette, etc. Search within our Price Guide of Sold Auctions
Cassette: TELLUS Audio Magazine #22 False Phonemes Cassette 1988 John Cage Paul Lansky
15.00 USD
15.00 USD
19 Aug 2019
12 Aug 2019
1 bid
334
132
United States
Very Good
Tellus
Avant-Garde
Is this information accurate?
Is this Item a Fake or Counterfeit?
Tellus was created in 1983 at the Rum Runner Bar on Canal Street in New York City. Joseph Nechvatal, a visual artist, Claudia Gould, a curator and Carol Parkinson, a composer and staff member of Harvestworks / Studio PASS met to discuss the idea of a magazine on cassette which would feature interesting and challenging sound works which became The Audio Cassette Magazine.
Various – False Phonemes
Label: Tellus – Tellus #22
Format: Cassette, Compilation
Country: US
Released: 1988
Genre: Electronic, Non-Music
Style: Spoken Word, Experimental
Tracklist
A1 –Remko Scha Katadeedo Daynatadoh
Composed By – Ellen Zweig, Remko Scha
Guitar – The Machines*
0:47
A2 –Larry Wendt Galaxy Love 8:59
A3 –Brian Reinbolt Brain Monkey 4:12
A4 –Mark Rudolph Beautiful But Marred By The Blemish Of Perpetual Dissatisfaction 5:42
A5 –Alice Shields Mass For The Dead (Excerpt) 3:51
A6 –Paul De Marinis* Mind Power 4:06
A7 –Remko Scha French Recitatif
Words By [French Text] – Raymond Roussel
1:30
B1 –Paul Lansky Not Just More Idle Chatter 7:54
B2 –Jon English / Jim Pomeroy The Hartford Address 2:18
B3 –Ron Kuivila Linear Predictive Zoo
Engineer [Recording] – Jim Staley
10:40
B4 –John Cage Writings Through The Essay: On The Duty Of Civil Disobedience (Excerpt) 8:58
Credits
Design [Cover Art] – Matt Mullican
Edited By [Contributing Editor] – Ellen Zweig
Engineer – Brenda Hutchinson
Liner Notes – Ellen Zweig, Paul De Marinis*
Notes
False phonemes, the impure voice, cybernetic fleshly abstractions, a disembodied voice, the imp in the machine. FALSE PHONEMES is a collection of works by artists who use computer-generated voices with an emphasis on language.
A1 composed on DEC talk, excerpted from "Impressions of Africa" (1987)
A2 voice created on a Kentucky Pocket Braille (1988)
A3 computer voice produced with a $12 Radio Shack part bought on a whim
A4 a deconstruction of vocal poetic "performance" first analyzed by Rudolph's program program "K" (1986)
A5 composed at the Computer Music Facility of the Columbia University Electronic Music Center. excerpts from an opera (1988)
A7 another excerpt from "Impressions of Africa"
B1 Liner Predictive Coding (1988)
B2 written on the back of an envelope in Hartford, CT, July 6, 1984, at New Music America. this version recorded 10/22/85
B3 cheap speech synthesizers that use linear prediction. this recording is an excerpt from a concert given at Roulette, NYC, October 25 1987
B4 realized at the Center for Computer Music at Brooklyn College of CUNY (special thanks to Charles Dodge); recorded 9/5/87, Hugenotten, Karls Kirche, Kassel
This project is supported in part by the New York State Council on the Arts.
Engineered at Studio PASS, NYC.
Copyright 1988. All rights reverted to the individual artists.
Dolby B/EQ Normal