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78 rpm: 1941 DISNEY FANTASIA 78RPM STOKOWSKI A NIGHT ON BARE MOUNTAIN VICTOR 17900-RARE

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20.00 USD
39.99 USD
11 Feb 2019
06 Jan 2019
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334
United States
Used
Fantasia
78 rpm
Disney
Classical
Fantasia
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1941 DISNEY FANTASIA 78RPM STOKOWSKI A NIGHT ON BARE MOUNTAIN VICTOR 17900-RARE
VG+ (Possible NM, but not a grader). Record is in excellent condition. See photo for condition. Any questions, please ask.

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FIRST ISSUE - 1941 DISNEY FANTASIA 12” 78 RPM STOKOWSKI A NIGHT ON BARE MOUNTAIN VICTOR 17900

Composed in 1867 by Moussorgsky, it was orchestrated by Leopold Stokowski for the Walt Disney film Fantasia.

SIDE 1: A Night On Bare Mountain - Fantasia (part I)

SIDE 2: A Night On Bare Mountain - Fantasia (part II)


Birth of Walt Disney's Movie Fantasia
taken from http://www.stokowski.org/1939_1940_Electrical_Recordings_Stokowski.htm

In 1937, Walt Disney was searching for a new starring role for Mickey Mouse, in part because Donald Duck had become so popular, and Mickey was becoming "second banana" 9. In 1938, Walt Disney selected the story of "The Sorcerer's Apprentice" as a new starring role for Mickey 4. Walt Disney met Leopold Stokowski in Chasen's Restaurant in Hollywood in 1938, and Stokowski offered to conduct the music for The Sorcerer's Apprentice free of charge, because of his interest in the project 3 (note: when the Fantasia project expanded, Stokowski did receive a fee). In July, 1937, Disney had already secured the rights to Dukas" music L"Apprentie sorcière 4. Recall that Stokowski and the Phildelphia Orchestra had made a successful recording of the Sorcerer's Apprentice in November, 1937 .

With this recording objective, Stokowski arrived in Los Angeles January 2, 1938 to record the Sorcerer's Apprentice with a hand-picked orchestra of 85 Hollywood session musicians 3. These recordings had some technical difficulties as to synchronization, but Stokowski approved them and they were used in the final film. However, Walt Disney had decided that The Sorcerer's Apprentice short film needed to be expanded to a full-length movie, in order to be financially viable. After discussing added musical selections with Stokowski, Disney secured the rights to Le Sacre du Printemps in April, 1938 5. In December, 1939, Stravinsky visited the Disney studios, and although in later years he was critical of Fantasia, Stravinsky at the time seemed supportive. There was later further criticism of Stokowski and Disney's music choices, particularly in editing the music. The Beethoven Pastoral Symphony, for example was cut in half to 22 minutes.

Stokowski and Disney listened to dozens of different musical possibilities, including Rachmaninoff and Wagner 3, and in the end added the Bach-Stokowski Toccata and Fugue in d minor, music from Tchaikovsky's Nutcracker, Ponchielli's Dance of the Hours, and Mussorgsky's Night on Bare Mountain to join the already selected L"Apprentie sorcière, the Pastorale symphony, and Le Sacre du Printemps.

Stokowski also convinced Disney to record in Philadelphia with the Philadelphia Orchestra, and recording took place in the Academy of Music in April 3-7, 1939 3,6,7. It is beyond the scope of this web site to describe in any detail the resulting masterpiece film, but as well as Mickey as the Sorcerer's Apprentice, the many memorable scenes include the hippos as ballet dancers in Ponchielli's Dance of the Hours, and the Tyrannosaurus rex in the primeval world of Le Sacre du Printemps. Stokowski Disney 1939
Fantasia was issued in 1941 and 1942, and was released again many times over the years, and continues even today to play in some theaters. It has been widely sold in DVD, in several restored versions. The music sound track of Fantasia by Stokowski and the Philadelphia Orchestra has never been out of the recording catalogues, since it was first issued by Disney Studios on LP in 1957 in stereo on Disney's newly-formed record label: "Disneyland Records".


Record Grading Chart

Mint (M) - Absolutely perfect in every way . Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.

Near Mint (NM or M-) - A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear . A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.

Very Good Plus (VG+) - Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.

Very Good (VG) - Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.

Good (G), Good Plus (G+) - Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.

Poor (P), Fair (F) - Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.